Services and Packages

If you’re looking for help writing a musical — whether that’s story structure, character arcs, lyrics, or song development — this page outlines the mentorship and dramaturgy services I offer to support composers, lyricists, and bookwriters at every stage of the creative process.

You can choose any of the options below, or reach out via the contact form on the ‘About’ page if you’d like to discuss your project before committing.

Once you book a session or package, I’ll email you personally to arrange our meeting. All sessions are scheduled collaboratively — we’ll find a time that works comfortably for both of us..

Click below for more info on each package.

6 Session Writer’s Development Package
£89.00 every month for 6 months
12 Session Writer’s Development Package
£169.00 every month for 6 months

FAQs

  • Starting a musical can feel daunting, especially without a framework or guidance. In our early sessions, I help you define the core of your project — the central question, the world, the characters, and the musical logic. Once you understand what your show wants to be, we build a development pathway that turns your idea into a structured, stage-ready piece. You don’t need to start alone; that’s what I’m here for.

  • Yes. If you prefer consistent, long-term support, you can book a monthly mentorship subscription. This gives you one 60-minute session each month, taken at a flexible pace that suits your workflow. It’s ideal for writers who want steady progress without committing to a structured programme. Many clients use this option to stay creatively accountable and keep their projects moving forward.

  • Not at all. Many writers come to me with only a spark — an image, a character, a theme, or even just the feeling of a show they want to write. My role is to help you clarify that idea, understand what the story wants to be, and identify the musical logic that will shape it. Together, we build the foundation so you can develop your piece with intention and confidence.

  • A musical isn’t defined by plot complexity — it’s defined by emotional stakes and the need to sing. In our sessions, we’ll explore your idea’s dramatic engine, its characters, and what songs might reveal that dialogue alone cannot. Strength grows through development, and often an idea just needs the right framework to show its potential.

  • Absolutely. Musical theatre is a collaborative art form, and great stories can come from writers of all musical backgrounds. Whether you’re composing, working with a collaborator, or focusing on book and lyrics, I can help you understand musical storytelling, song function, and the craft needed to shape a compelling piece. Musical fluency grows over time; clarity of intention is where we begin.

  • Yes — this is one of the most common reasons writers seek mentorship. We’ll diagnose where the piece is straining: structure, pacing, song placement, character arcs, or thematic clarity. From there, we create a clear, manageable plan for revision. Musicals evolve through rewriting, and having an experienced dramaturg beside you can transform that process from overwhelming to productive.

  • Yes. Whether you’re a composer/lyricist duo, a full book/music/lyrics team, or collaborators still defining your roles, I can help guide your shared vision and support you through development. Team dynamics are an essential part of musical theatre, and part of my role is helping you align creatively and build a clear, unified approach to your piece.

  • Progress depends on the stage of your project and how much time you can devote between sessions, but most writers feel a shift very quickly — often within the first meeting. My focus is on clarity: once you know what your show is, why it sings, and what the next steps are, momentum becomes natural.

  • Yes. As a composer and lyricist myself, I work across all elements of musical theatre writing. Whether you need guidance on lyric craft, song structure, underscoring, musical motifs, or the emotional architecture of a number, I can help refine both the writing and the intention behind it.

  • That’s absolutely fine. Many of my clients are writing their first musical. What matters is your willingness to learn, explore, and commit to the process. I’ll meet you exactly where you are and help you build the skills and confidence needed to tell your story through music.

  • This is personalised, one-to-one mentorship tailored entirely to you and your project. There’s no generic curriculum or one-size-fits-all structure. Every session centers on your show, your voice, your challenges, and the specific craft tools you need in that moment. It’s direct, focused, premium development — not group instruction.

  • Yes. I can help refine your material, strengthen structure and pacing, polish lyrics and scenes, and shape your script so it communicates clearly to performers, directors, and producers. Development moments are crucial — and having professional insight beforehand can make a significant difference.

  • Writers choose this mentorship because they want clarity, progress, and a professional creative partner who understands the craft inside out. The pricing reflects both the level of expertise and the personalised, long-term nature of the work. If you’re serious about developing your musical, the investment ensures you receive the focused, transformative support your project deserves.